More Reviews
REVIEWS Dead Rising 4 Review
Dawn of the dud.

Steep Review
You need a vacation.
More Previews
PREVIEWS Let It Die Preview
Seems like Suda51 saw Frozen, played Dark Souls, and then got the lyrics mixed up.
Release Dates
NEW RELEASES Bethesda Pinball
Release date: Out Now

Read More Member Blogs
Welcome Back to the West
By oneshotstop
Posted on 08/01/16
The only thing that stops the dust is the rain. It’s a sweet reprieve, but there is no middle ground. The land is either as dry as the Betty Ford clinic, or as wet as the ocean floor. Everything can be seen from the ridge overlooking Armadillo as John Marston gently bounces along atop...


oblivion437 oblivion437's Blog
Bethesda Announces DLC Release Plans
Posted on Tuesday, February 16 2016 @ 09:58:32 PST

Fallout 4 came out 3 months ago with no definite word on when DLC would be coming along, making the season pass rather like buying a pig in a bag.  As of today, February 16, the wall of silence has dropped and three planned DLCs have been announced.  On Bethesda's announcement page we see the three DLC packages slated for releases in March, April, and May.

Automatron, set to release in March, sounds like it takes some cues from Morrowind's Tribunal expansion and Oblivion's Knights of the Nine DLC in that their content is seeded into the base game rather than adding new areas.  Judging by the name the antagonist is probably a woman/evil female sounding AI.  It will be priced at ten dollars.

Wasteland Workshop is Hearthfire 2.0, right down to the price; $5.  Its release is set for April and it's centered around embellishing existing systems rather than anything altogether new.

Far Harbor priced at $25 is set up as a spiritual successor to Point Lookout, Dragonborn and Shivering Isles.  It centers around a separate world space as those did with its own quest lines, factions and content.  It's touted to be the largest expansion area they've ever built and also promises additional equipment.

Further below is a rather curious announcement which I'll reproduce in full to save anyone who doesn't want to the trouble of clicking through to Bethesda:

"Given the expanded DLC plan, the price of the season pass will increase from the current $29.99 to $49.99 USD (£24.99 to £39.99 GBP; $49.95 to $79.95 AUD) on March 1, 2016. However, if you already purchased the season pass for $29.99, nothing changes - you still get everything at no additional cost— the full $60 offering of add-on content for the original price of $29.99."

This is a curious announcement.  On the one hand it's a little strange - why jack up the price now?  Were the yet-unannounced DLC plans held hostage to Fallout 4's sales numbers and since those have come back solid they'll have ground to work on them and justify the increased purchase price?  Whatever the reason there it is.  If anyone wants everything they plan to put out for the game at $30 they must fork it over before any of it is released and before the remaining DLC is announced.  On the other, this is still less sleazy than, say, Borderlands 2's DLC program which has rendered the game a jigsaw puzzle of multiple paywalls and it is still impossible to get all of that game's content with a single purchase.

At the end of the post is a reminder that yes, Virginia, the GECK will come out eventually and they are also working on an update to make Survival Mode a more nuanced option than a higher difficulty setting and are both apparently in testing now.

[ 0 Comments ]        [ Post a Comment ]
Reviewing a Bad Editorial
Posted on Friday, February 12 2016 @ 15:27:51 PST

One thing which continues to mystify me to this day is editorialists, ostensibly knowledgeable about video games and gamer culture, going to bat for Ninja Theory's ill-fated reboot of Devil May Cry.  It's not just that they're openly defending a game inferior to all but one of its predecessors.  It's that they're using the same bad fallacious arguments over and over.  It continues to this day.  Literally.  "DMC: Devil May Cry Deserved Better - Rebooting Fans' Hate", written by one Sean Halliday, was published just today on  It's an interesting grab-bag of hoary cliches, knee-jerk publisher defense, and implicitly brings with it the insufferable premise that developers and publishers are entitled to sales, and it is somehow entitled for people to believe they have the right to withhold their hard-earned money from publishers who produce things they don't want.

"When a IP has reached its limits, but still holds potential in other areas, a reboot is the logical answer."

How so?  By what chain of logical reasoning?  Using the word 'logical' without providing the syllogism which justifies the inference means you probably don't know what logic actually is.  Further, at no point in your article do you establish that Devil May Cry 4 was the franchise at 'its limits'.  The game was blatantly, obviously, unfinished and rushed.  The problem was that Capcom wasn't committed, not that they had committed as much as possible on it and had seen diminishing returns.

"Ninja Theory had strong pedigree, their past work suggested they had what it took to reboot one of Capcom’s biggest stars. The fan base didn’t care, they changed Dante…and that was unforgivable."

Ninja Theory is a mobile shovelware maker now.  That's how strong their pedigree is.

"Team Ninja’s accumulation of Dante was simply a sign of the times."

Team Ninja has never worked on any Devil May Cry game in any capacity whatsoever.

"DMC: Devil May Cry was the modernization that not many hardcore fans wanted, but it was certainly needed."

Devil May Cry 4, the disappointing game whose sales figures were the impetus to farm DmC out, outsold DmC.  Let that sink in for a while.  Let it marinade.  DmC went on the market with almost no direct competition in either genre or even general market presence.  The press hyped this thing up.  It was advertised heavily.  The disappointing game Capcom rushed out the door did better for them financially.  Between that and character action/hack-n-slash enthusiasts panning it as shallow, weak, and dumbed-down compared to previous entries in the series (the skill ceiling in DmC ends below the floor of other, better, games like Devil May Cry 3 and Ninja Gaiden Black) there's not really much room for arguing that this was actually 'needed' unless one's goal was to further stain the genre and hopefully kill the franchise.

"Modern society is pretty damn cynical."

Watch any of the following movies from the '70s and tell me that the world is more cynical now:
-Born to Win
-Dirty Harry
-Taxi Driver
-A Clockwork Orange
-The Panic in Needle Park
-Five Easy Pieces
-The Killing of a Chinese Bookie
-The Parallax View
-All the President's Men

"People are becoming increasingly jaded with Media spreading lies and corporations peddling unhealthy products."

Rather like an editorialist falsely demeaning consumer reaction to downmarket goods misguidedly peddled on the idea that mid-90s Dark Age comic book antiheroes never went out of style and were never cringe-inducing.

"DMC: Devil May Cry deserved better, not from it’s creator, but from the fans."

What, precisely, did the game 'deserve'?  Since when were sellers of products entitled to sales?  When did that start?  Who started it?

Face it, Capcom screwed up.  They screwed up with Devil May Cry 4 and didn't learn their lesson.  They screwed up again when they hired a studio that can't understand that sociopathy is not cool and never was.  And until they admit that much, they'll probably keep on screwing up.

[ 0 Comments ]        [ Post a Comment ]
October 18, 2005: The Day the Guns Went Quiet
Posted on Tuesday, February 9 2016 @ 19:33:45 PST

    The first person shooter genre has been in commercial and artistic near-freefall for a decade.  They were always a niche genre, even if they tended to draw disproportionate publicity, but now the number of actual releases per year has slowed to a total trickle rivaled only by real time strategy and immersive simulation.  Platformers, adventure, RPGs, turn-based strategy, bullet hell and character action seem to have no trouble attracting both audiences to play them and investors to fund them but first person shooters are currently dominated by five franchises and a coterie of cheap epigones imitating them.
    Rather than simply bemoan the state of affairs it is more productive to trace their cause.  The particular events which draw the present consideration are the loss of key personnel at Raven Software, a major developer of FPS in their day, followed by the disappointing release of Quake IV, signalling the end of the silver age of first person shooters and the effective passing of the torch to Call of Duty to set the tone for the next decade; loud, pretentious, desaturated wannabe war movies reliant on absurd amounts of obvious setpiece designs interspersed between suffocatingly linear corridors in which very shallow shooting mechanics play out.
    On June 30 2004 Kenn Hoekstra, Raven's project administrator, had officially departed.  Quake IV was in development at the time and while it reviewed reasonably well at launch it hasn't aged nearly as well as any of Raven's other, more notable, projects.  It was the first FPS Raven shipped after Hoekstra's departure and while IMDB credits him with the administrative role he left the company sixteen months prior to release and something happened between his departure and the game's arrival.  Prior to the game's release Raven had built up a reputation as the company that took id's new engines and turned the glorified tech demos they released alongside them into serious games.  Doom was a terrific shooter but it could have used more depth and Heretic and Hexen supplied it in a degree outstripped on that engine only by Strife.  Quake was a retread of Doom with excellent sound design courtesy of Trent Reznor but Hexen II was a magnificent step forward.  Where Quake II was mediocre Soldier of Fortune was savagely brilliant.  Quake III was the downmarket Unreal Tournament but Soldier of Fortune II, Jedi Outcast and Jedi Academy all forged paths of their own which are memorable to this day and help form the core of the silver age first person shooter - less experimental and conceptually capacious than the golden age shooters but more refined, focused and polished with a greater depth of application.
    On October 18, 2005 Quake IV released to lukewarm reviews.  It lacked the brutal honesty of Soldier of Fortune, the wild inspiration of Hexen or Heretic, the affectionate adoration of Jedi Outcast and Jedi Academy, and the general panache of all of them.  For every virtue it possessed it was nowhere near as good as anything Raven had done before and it signalled a creative slump which continues to this day.  Their work in FPS consists mostly of contract work on other studios' projects and two disappointing projects which are largely forgotten as the studio itself slides into obscure irrelevance.  The first disappointment was Wolfenstein (2009) which is now something of a footnote now that The New Order/The Old Blood has set the series back on track and is quickly disappearing from any conversations on the genre or the series due to its unavailability for digital distribution obliging the curious to shell out absurd amounts for increasingly rare box copies.  The second was the blatantly derivative Singularity which consists almost entirely of ideas taken from other then-contemporary shooters.
    So what happened?  It wasn't just Kenn Hoekstra's departure.  His efforts at getting back into the industry have met with no more success than Raven's efforts at staying in the industry.  Raven's decline taking full swing hit at precisely the wrong moment.  Call of Duty 2 came out the same year and with its severe linearity, stripped-down difficulty, regenerating health, reduced arsenal variety compared to previous games, cut down feature set, smug contempt for player agency and obvious encounter design recycling it ended up setting the tone for shooters in the years to come.  Raven would end up supplying some content to several games in the Call of Duty series in more recent years.  But with Raven and Raven's ability to build successful shooters that were technically and mechanically ambitious seemingly went everyone else's.  The few studios that tried anything different like GSC Gameworld promptly went bankrupt for their trouble and Call of Duty's epigones also failed to profit as releases slowed and only flagship titles stood reasonable chances of breaking even at all, nevermind turning significant profits or reaching the threshold for success.
    It's not all endless dread however.  id Software's forthcoming Doom reboot looks promising and Machine Games not only revived the flagging Wolfenstein franchise but really hit it out of the park with The New Order.  Shadow of Chernobyl and its standalone expansions Clear Sky and Call of Pripyat may have bankrupted GSC Gameworld's attempt to build something better but GSC Gameworld devs did manage to go on to found 4A Games and make the successful Metro series, similarly adapted from Russian science fiction novels.  Call of Duty's unquestioned dominance over not only FPS but general sales numbers is now flagging as playerbases get increasingly tired of its shopworn sub-Michael Bay pretentions to cinematic storytelling amid the same recycled arthritic corridor shooting while the Battlefield series is on indefinite hold and Halo is long past its peak relevance.  The era of the milquetoast, the watered down, the focus-tested Toyota design method approved, the easy feedpipe and the simplified everything is coming to an end.  Let's hope May 13, 2016 is the day the guns went loud again.

[ 0 Comments ]        [ Post a Comment ]
What Fallout 4 Got Right, and Wrong
Posted on Saturday, January 23 2016 @ 19:39:27 PST

Fallout 4 is a mixed bag.  If I were reviewing it I would give it a C, perhaps a C+, and move on.  I never ran out of interest in either a Bethesda title or a Fallout game as quickly as I did Fallout 4 even when Fall...   read more...

[ 0 Comments ]        [ Post a Comment ]
System Shock 3 Teased
Posted on Tuesday, December 8 2015 @ 09:33:19 PST

Otherside Entertainment, a studio currently working on a crowdfunded revival of the Ultima Underworld series, has teased System Shock 3.

Sounds of cherub choirs singing Handel...  

[ 0 Comments ]        [ Post a Comment ]
Tim Cain Discussing the First Fallout
Posted on Monday, October 26 2015 @ 11:36:43 PST

At GDC 2012 Tim Cain, who played what is inarguably the single most important role in seeing Fallout into existence, gave a lengthy talk about the game's inception and development, followed by a Q&A session.  Watch it here.

...  

[ 0 Comments ]        [ Post a Comment ]
Fallout 4 Gone Gold
Posted on Friday, October 23 2015 @ 11:53:06 PST

Via their twitter feed, Bethesda have announced that Fallout 4 has officially gone gold.  It will be on store shelves/available for digital purchase on November 10.

Earlier Bethesda released the system requirements but the page co...   read more...

[ 0 Comments ]        [ Post a Comment ]
John 'Total Biscuit' Bain Suffers Relapse
Posted on Thursday, October 15 2015 @ 11:05:42 PST

I don't have to introduce Total Biscuit.  You know who he is.  I respect his work but admit I know it half as well as I should like.

In a Twitlonger post today he revealed that his cancer has relapsed and he's been gi...   read more...

[ 0 Comments ]        [ Post a Comment ]
The World Turned Upside Down
Posted on Sunday, October 11 2015 @ 05:08:29 PST

WB is looking to unseat EA as worst publisher in the industry as EA goes out of its way to rebuild the damaged relationship it has with its customers.  Battletech is coming back.  The biggest Kickstarter success is well on its way to become...   read more...

[ 0 Comments ]        [ Post a Comment ]
A Brief Assessment of the Star Citizen/Escapist Feud
Posted on Monday, October 5 2015 @ 17:41:55 PST

First a Short Time Line:

October 1, 2015 - The Escapist's Lizzy Finnegan posts an article on The Escapist: "Star Citizen Employees Speak Out on Project Woes"

October 1, 2015 - Chris Roberts responds "C...  

[ 0 Comments ]        [ Post a Comment ]
prev |  1 |  2 |  3 |  4 |  5 |  6 |  7 |  8 |  9 |  10 |  11 |  next
More On GameRevolution